In Gorman’s recent collection of poems, Call Us What We Carry, she weaves together words that represent the overall human experience during a year of extreme isolation and the Black experience in a time of racial unrest. This might sound grim, but Gorman infuses a great amount of hope into her work at regular intervals: “As a Black female poet, I think so many people expected my poems to be angry because of that schema. I’m like, yes, I have the right to be angry. But I wanted to really have freedom to speak with hope in the same way that white male poets get to do. Why can’t that voice of a people, a generation, come from someone who looks like me? Not too long ago, my ancestors would’ve been persecuted for reading and writing, and I’m the inaugural poet of the United States. If anything, as a Black woman, I feel like that makes me the most hopeful.”

That mantle, “voice of a generation,” is a hard one to carry, especially when you’re fighting the perception that everyone under 25 (Gorman is 23) is frivolous. “I think a lot of fingers get pointed at Gen Z,” she says. “But the word ‘woke’ in itself invokes this idea that you are willing to sit a bit longer with information and think a bit more curiously about history. That necessitates a long attention span. It also necessitates, I think, empathy and understanding as a human being.” And where is the frivolity in that?

On each page of Call Us What We Carry, you can see a balance between empathy and playfulness. The words flow on the page in different patterns, encouraging the reader to follow a rhythm — one entirely in chat bubbles, another paced out in the image of a fish. “I wanted the page to be my playground, playing with shape, format, rhythm, text, font, which are all kind of instruments that I typically can’t use in a spoken word performance,” Gorman says. And she educates her reader as much as she entertains. “For me, it’s not enough to write lines that sound pretty. The greatest challenge in my writing is doing all of that while bringing some deeper historical resonance with it.”

In some way, everything Gorman does has deep roots that she acknowledges — even putting on makeup. “I read about the history of makeup on the stage and how, in part, it was used as a storytelling device, especially [for a] larger audience,” she says. “[It] makes your features a lot more apparent to a watcher who might feel distant. And I knew that this inauguration, for many people, was going to feel less intimate because it was all virtual. So having vibrant makeup was a way for me to feel my best, but also a way that I wanted my face to make people feel a bit closer to me in who I was and what I was saying.”

 Photograph by Abbie Trayler-Smith / Panos Pictures / ReduxSo I have to ask: Does she feel safe being spotlighted as a beacon of hope in America? “Do I feel safe? No. It’s very difficult, I’d say near impossible, to feel safe as a strong voice of color in the United States,” Gorman says. “Especially given the violence that we see on a daily basis, both psychological and physical. I try not to be controlled by my fear, but informed by it. So if I’m really afraid, I know this terror is telling me that there’s something to be gained from courage.”

Already a National Youth Poet Laureate, best-selling author, and inaugural sensation, Gorman recently added Estée Lauder Global Changemaker to her list of honors. It’s a first-of-its-kind partnership that will have Gorman doing much more than modeling makeup. As part of the deal, the beauty brand will contribute $3 million to Writing Change, a literacy initiative of which Gorman will be the curator. “I knew that if I was going to engage with a brand, I wanted to do it in a way that felt authentic to me,” she says. “I didn’t want to be constrained into the boilerplate ambassadorial relationship. I’m more than just a face. I think we can model a new type of relationship, one in which the women who engage in these beauty brand partnerships actually have agency, power that expands beyond themselves. Power that pays itself forward.”

Gorman wears her optimism on her sleeve, just like the Maya Angelou-inspired birdcage ring she wore to the inauguration. She has hope that her actions will change the world for the better. Knowing this, it doesn’t surprise me that music from The Avengers and Star Trek are on Gorman’s shoot-day playlist. The music soars as she poses in sculptural Schiaparelli earrings. These fantasy and sci-fi franchises feature heroes who set out with every good intention to make the world a better place. Somehow that fits well with Gorman’s own ethos. “I love Afrofuturism. As an activist and artist, I think there’s something really captivating with sci-fi because it means people thinking about what the world can look like but in a very real, grounded way. It isn’t ‘What if?’ It’s ‘What’s next?’ It’s really thinking about what could be.”

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I want to bring awareness to the injustices women and girls face around the world.


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